Antique Print-MOSQUE-MECCA-KAABA-Biasioli-Rossi-Ferrario-1817

Print

225.00

‘L. ROSSI INV ED INC (BOTTOM LEFT); A. BIASIOLI F.A.T. (BOTTOM RIGHT); 3 (TOP RIGHT)’

– A stylized early 19th-century depiction of the Great Mosque in Mecca, showing the Kaaba and the surrounding domes and minarets. Figures in red and yellow robes point and converse in the large open courtyard.

Out of stock

SKU: PCO-19934 Categories: , Tag:

Description

Medium: Line and aquatint etching with original hand coloring on wove (vellin) paper.

Sheet size: 36 x 26.5 cm (14.17 x 10.43 inch). Image size: 21 x 15 cm. (8.27 x 5.91 inch).

Condition: good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

MECCA, KAABA, MOSQUE, ISLAMIC ARCHITECTURE, FERRARIO, GIULIO FERRARIO, IL COSTUME ANTICO E MODERNO, ARABIAN PENINSULA, PILGRIMAGE, 1817, LUIGI ROSSI, ANGELO BIASIOLI, ISLAMIC HISTORY, ANTIQUE PRINT, MOSQUE INTERIOR | PCO-A4-39

BACKGROUND INFORMATION

Giulio Ferrario, Il costume antico e moderno, Asia Vol. III, Milan, 1817, published by Antonio Fortunato Stella. Part of the larger series: ‘Il Costume Antico e Moderno …’ , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others.

Reference: Ferrario: Il costume antico e moderno; Servolini 1955; Davoli 2000.

Biography engraver: Angelo Biasioli (1790-1830) was an Italian engraver active mainly in Milan and Verona. Known for his fine aquatints, he contributed extensively to Ferrario’s Il costume antico e moderno, where his elegant hand colored prints added vibrancy and life to exotic scenes.

Biography artist: Luigi Rossi (1764-1824), Milanese draughtsman and painter. Known for his topographic and architectural designs, particularly for Il costume antico e moderno, Rossi often collaborated with leading engravers like Biasioli and Bonatti to depict global cultures and architecture. Giulio Ferrario (1767-1847), Italian scholar, bibliographer, and publisher. Director of the Biblioteca Braidense and compiler of Il costume antico e moderno, a vast encyclopedic ethnographic work. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others.

Additional information

Dimensions 26 × 36 × 1 cm

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