Print Description
This print shows a view on a standing man near a cross, only wearing a loincloth: Jesus with instruments of the Passion. The engravings of the Paradigmata, like those of Francois Perrier, helped disseminate the classical ideal throughout Europe. They were used as paradigms for artists of the period and well beyond.
Made by Jan de Bisschop after Michelangelo Buonarroti / Jacob Matham .
Medium: Etching / engraving on handlaid (verge) paper.
Sheet size: 23 x 36.5 cm (9.06 x 14.37 inch). Image size: 11.3 x 23.5 cm. (4.45 x 9.25 inch).
Condition: good, given age. Brownish edges. Creases. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
RELIGION-JESUS-STANDING MAN-CROSS-CLASSICAL POSTURE-PASSION | RBOS-A10-36
BACKGROUND INFORMATION
This attractive print originates from: “Paradigmata Graphics Variorum Artificum”, published in Amsterdam by Nicolas Visscher, 1671.
Biography engraver: Jan de Bisschop (ca. 1628-1671) engraver of the Dutch school. Bisschop had a law practice in the Hague where he also founded an art school and a publishing house. His influential circle of friends included the mathematician and philosopher Rene Descartes and the artist Constantijn Huygens.
All original engravings bear the monogram “JE” , which denotes “Jan Episcopius, “Epicopius” being the Latinzation of his name which is ‘Bishop’ in English.
Biography artist: Michelangelo Buonarroti (1475?1564) was an Italian painter, sculpturer, architect and poet. This print was also after Jacob Matham (15 October 1571 ? 20 January 1631), of Haarlem, who was an engraver and pen-draftsman. .
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