Antique Print-T.88.-SKELETON-FRONTVIEW-MEMENTO-MORI-de Lairesse-Bidloo-1728

Print

1,195.00

Antique print, titled: ”T.88.” – Tab.88: A highly symbolic and decorative anatomical illustration. A human skeleton stands upright, having just risen from the grave at its feet. The shroud in which the figure was buried lies discarded, emphasizing the moment of emergence. In the background to the left, a grave monument is visible, reinforcing the memento mori theme. This plate highlights the full front view of the skeleton, with each part of the human skeletal system precisely labeled. The skull is made up of the frontal (A), parietal (B), temporal (C), zygomatic (D), and occipital (E) bones, with the upper (F) and lower jaw (G) containing the teeth (H). The vertebral column is segmented into cervical (I), thoracic (K), and lumbar (L) regions. The rib cage is composed of the true ribs (P) and false ribs (Q), anchored to the sternum (O). The clavicle (M) and scapula (N) form the shoulder girdle. The pelvis includes the ilium (R), sacrum (S), ischium (T), coccyx (V), and pubis (W). The limbs are labeled with the humerus (X), ulna (Y), radius (Z), and bones of the hand (1); in the legs: femur (2), patella (3), tibia (4), fibula (5), and bones of the foot (6). The composition blends scientific study with allegorical reflection on mortality. Original legend sheet available on request (if available due to legends of 2 plates being on 1 sheet).

In stock

SKU: IMG_7179 Category:

Description

Medium: Copperplate engraving on hand laid (verge) paper.

Sheet size: 38 x 54 cm (14.96 x 21.26 inch). Image size: 26 x 42 cm. (10.24 x 16.54 inch).

Condition: good, given age. Light foxing, creasing and soiling, mostly affecting the margin. Some tears in paper edges, not effecting the image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

T.88.-SKELETON-FRONTVIEW-MEMENTO-MORI | BOEK-BIDLOO

BACKGROUND INFORMATION

Ontleding des Menschelyken Lichaams’, Utrecht, 1728, published by Jacob van Poolsum. A later Dutch version of Govard Bidloo’s most famous work, his monumental Anatomia humani corporis published in Amsterdam in 1685, containing 107 copperplate engravings. Like so many large and expensive anatomical atlases of the time, the work was not a financial success, and in 1690 he published a Dutch translation entitled, Ontleding des menschelyken lichaams, using the same plates. When this edition did not sell well either, Bidloo’s publisher sold 300 of the extra printed plates to William Cowper, a noted English anatomist. Cowper published the plates with his own, English language text in Oxford in 1698 under the title, Anatomy of the humane bodies, without mentioning Bidloo or the artists of the original plates. Cowper went so far as to use Bidloo’s engraved allegorical title page, amended with an irregular piece of paper lettered: “The anatomy of the humane bodies …,” which fits over the Dutch title (see a comparison here). A number of vitriolic exchanges took place between Bidloo and Cowper, including several pamphlets published in each anatomist’s defense. Cowper claimed, without much evidence presented, that the plates were not Bidloo’s at all, but that they were commissioned by Jan Swammerdam (1637?1680) and that after his death Swammerdam’s widow had sold them to Bidloo. The illustrations in Bidloos’ work were drawn by Gerard de Lairesse (1640?1711) and engraved by Abraham Blooteling (1640?1690) and Peter van Gunst (1659??1724?).

Reference: Choulant, L. History and bibliography of anatomic illustration. Trans. and annotated by Mortimer Frank. (New York: Hafner, 1962). Pp. 250-253; Russell, K. F. British anatomy, 1525?1800: a bibliography of works published in Britain, America and on the Continent. 2nd ed. (Winchester, Hampshire: St. Paul’s Bibliographies, 1987). Introduction and nos. 211-214; National Library of Medicine (US) Unique ID: 2312021R.

Text page included (if available, due to 2 text pages printed on ene shheet, otherwise a copy).

Biography engraver: Gerard de Lairesse (1640?1711) was a Dutch Golden Age painter and art theorist, known for his classical and allegorical themes.

Biography artist: Govard Bidloo (1649?1713) was a Dutch physician, anatomist, and poet, renowned for his anatomical atlas and contribution to medical illustration.

Additional information

Dimensions 54 × 38 × 1 cm

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